In notation, we generally use a straight line to indicate the slide and assume that the finger used to initiate the pitch will be the same one that slides up to the next notated pitch, unless indicated otherwise. Slides can be as simple or complex as you want to make them. These techniques are more effective if vibrato is only added once you land on the desired pitch (if the style calls for vibrato). If you glide your finger slowly versus quickly you can vary the sound even more. You can vary the sound of the slide by travelling from one discriminate pitch to another, or start the slide with lighter bow pressure so that the pitch is indiscernible and the effect is highlighted through a gladual intensification in bow pressure. For example, you can travel an eighth-tone, quarter-tone, whole tone and on up to an octave or beyond, depending on the effect you wish to create. Variations in distance, speed of motion and bow pressure help to create different-sounding slides. The timing of the slide usually anticipates the beat and the moving finger then lands on the pitch in time for a down-beat or up-beat. ![]() The slide is a technique in which the player places his or her finger below or above the intended note and then glides that finger into the desired pitch. ![]() ![]() Discover more Technique in The Strad Playing Hub
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